Bachata

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Bachata is a popular guitar music from the Dominican Republic. While bachata is based on the bolero rhythm, bachateros have traditionally included other kinds of music like son, merengue, vals and ranchera in their repertoires. The influence of all of these styles, and particularly that of merengue, can be felt in the rhythms, harmonies and melodies of bachata proper.

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Cha Cha

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In the late 1940s, Havana, Cuba, was one of the most popular resorts for North Americans, especially those residing along the east coast. The most famous American dance bands as well as the many outstanding latin bands native to Cuba played at the city’s casinos. Some of these orchestras tried combining the American JAZZ beat with the Cuban RUMBA rhythm; The result was a new rhythm called the MAMBO.

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Foxtrot

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The Foxtrot originated in the summer of 1914 by Vaudeville actor Harry Fox. Born Arthur Carringford in Pomona, California, in 1882, he adopted the stage name of “Fox” after his grandfather. Harry was thrown on his own resources at the age of fifteen. He joined a circus for a brief tour and he also played professional baseball for a short while. A music publisher liked his voice and hired him to sing songs from the boxes of vaudeville theaters in San Francisco. In 1904 he appeared in a Belvedere Theatre in a comedy entitled “Mr. Frisky of Frisco.” After the San Francisco earthquake and the fire of 1906, Harry Fox migrated East and finally stopped in New York.

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Rumba

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There are two sources of the dances: one Spanish and the other African. Although the main growth was in Cuba, there were similar dance developments which took place in other Caribbean islands and in Latin America generally. The “rumba influence” came in the 16th century with the black slaves imported from Africa. The native Rumba folk dance is essentially a sex pantomime danced extremely fast with exaggerated hip movements and with a sensually aggressive attitude on the part of the man and a defensive attitude on the part of the woman. The music is played with a staccato beat in keeping with the vigorous expressive movements of the dancers. Accompanying instruments include the maracas, the claves, the marimbola, and the drums.

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Quickstep

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Developed during World War I in suburban New York, it was initially performed by Caribbean and African dancers. It eventually made its debut on the stage of American music-halls and immediately became popular in ballrooms. Foxtrot and Quickstep have a common origin. In the twenties many bands played the slow-Foxtrot too fast. Eventually they developed into two different dances. The Slow Foxtrot tempo was slowed down and Quickstep became the fast version of the Foxtrot.

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Merengue

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The Merengue is the national dance of the Dominican Republic, and also to some extent, of Haiti, the neighbour sharing the island.There are two popular versions of the of the origin of the Dominican national dance, the Merengue. One story alleges the dance originated with slaves who were chained together and, of necessity, were forced to drag one leg as they cut sugar to the beat of drums. The second story alleges that a great hero was wounded in the leg during one of the many revolutions in the Dominican Republic. A party of villagers welcomed him home with a victory celebration and, out of sympathy, everyone dancing felt obliged to limp and drag one foot.

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Mambo

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The Mambo dance originated in Cuba where there were substantial settlements of Haitians. In the back country of Haiti, the “Mambo” is a voodoo priestess, who serves the villagers as counselor, healer, exorcist, soothsayer, spiritual advisor, and organizer of public entertainment. However, there is not a folk dance in Haiti called the “Mambo.”

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Tango

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Tango (the dance with the stop “Baille Con Carte”) is one of the most fascinating of all dances. Originating in Spain or Morocco, the Tango was introduced to the New World by the Spanish settlers, eventually coming back to Spain with Black and Creole influences.

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Salsa

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Salsa is not easily defined. Who invented salsa? The Cubans, Puerto Ricans? Salsa is a distillation of many Latin and Afro-Caribbean dances. Each played a large part in its evolution.

Salsa is similar to Mambo in that both have a pattern of six steps danced over eight counts of music. The dances share many of the same moves. In Salsa, turns have become an important feature, so the overall look and feel are quite different form those of Mambo. Mambo moves generally forward and backward, whereas, Salsa has more of a side to side feel.

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Swing

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The history of swing dates back to the 1920’s, where the black community, while dancing to contemporary Jazz music, discovered the Charleston and the Lindy Hop. On March 26, 1926, the Savoy Ballroom opened its doors in New York. The Savoy was an immediate success with its block-long dance floor and a raised double bandstand. Nightly dancing attracted most of the best dancers in the New York area. Stimulated by the presence of great dancers and the best black bands, music at the Savoy was largely Swinging Jazz.

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Samba

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Samba is a musical form whose origins can be traced back to the early days of Brazil. Samba developed out of a combination of rhythms and musical traditions brought to Brazil by West African slaves as well as those belonging to South American Indians and the Portuguese people. The complex rhythmic patterns of the Samba can be traced back to the trance like music of Brazilian religions such as Candomble as well as to the speech patterns of phrases in languages such as Portuguese and Yoruba.

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Waltz

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A dance born in the suburbs of Vienna and in the alpine region of Austria. As early as the seventeenth century, waltzes were played in the ballrooms of the Hapsburg court. The weller, or turning dances, were danced by peasants in Austria and Bavaria even before that time. Many of the familiar waltz tunes can be traced back to simple peasant yodeling melodies.

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Viennese Waltz

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The Viennese Waltz is a dance performed to music with three beats to the bar. This means that the dance steps can be very difficult for starters because when a step is taken on each beat, then the next bar will have to start on the opposite foot. However, when this technique is mastered, the dancer acquires an enchanting and romantic rhythm.

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